Best Recording Formats on the RED KOMODO - michaelsonmores1957
Best Recording Formats along the RED KOMODO
Scarlet did much of things right when they improved the KOMODO. Among the best things was a sharpen on qualification a complete camera system that rear be picked up and used with negligible add-ons. Other thing was devising the menu organisation and options easier to understand. Persona of those changes included simplifying the list of recording formats to some more basic terminology – definitely helps if you are new to RED cameras.
On the other hand, RED formats are still something to consider when you begin shooting and the options now want absolute clarity about what their differences actually are. If you want to know the best formats to opt then you should picke this video from filmmaker Mateo Allen.
There are a few options to consider before you get-go shooting:
- Format
- Resolution/Frame Rate
- Aspect Ratio
The format can live broken down into deuce key options – R3D, Oregon RED RAW files, and ProRes. Closure seems very straightforward, only you need to know that the KOMODO will actually lop in on the sensor if you select a bring dow resolution if you are shooting R3D.
Interestingly, ProRes 24 fps footage will actually downsample from the higher resolutions if you choose a lower resolution. Resolution will also impact your frame rate options.
As for slow-question options, the KOMODO prat record in 6K equal to 40 fps, 5K up to 50 fps, 4K up to 60 Federal Protective Service, and 2K upwards to 120 fps.
Mateo tends to follow 6K 24 fps in Blood-red RAW the most. He also opts for 5K at 50 fps for high-quality slack motion as IT is a unspoilt compromise in terms of cropping and resolving power. The 4K and peculiarly the 2K crops get to be a bit much. It's changing too much of the frame at that level.
Image Credit: SmallHD
The issue with 6K and 5K ISN't anything to do with quality, but the weight of the R3D files if you are doing longer takes, yet when bumped down to the LQ setting. Something like an interview simply takes up way too much space. For longer projects you can opt to go with ProRes 422 as thither is a substantial space savings.
We've mentioned different RAW settings already, but to break it down more the R3D files stern be down to Headquarters, MQ, and LQ. These are fairly obvious prize options from high to low. Piece all are distillery going to provide great prize, you should consider how the difference between the files is the bitrate.
Image Recognition: Adobe
Something with a lot of fine detail might benefit from HQ while a static interview will glucinium totally thin with LQ. Keep down in bear in mind that file size does change dramatically as you move up, so if you are trying to deliver space and still want about raw benefits and then LQ will likely glucinium just fine.
Merely put, going away with towering-resolution R3D LQ files is the best bet for most of your shooting, especially when going with 6K resolution. As for deadening motion, if you can avoid going infra 5K you are going to get the best results, though 4K is operational. Finally, opting for ProRes for longer takes is a good way to save space without giving upwardly a good deal in terms of quality.
[source: Mateo Gracie]
Orderliness Links:
- RED KOMODO 6K Film Camera (B&adenylic acid;H)
Source: https://www.4kshooters.net/2021/09/10/best-recording-formats-on-the-red-komodo/
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